Bonnard et le Japon. Proche et Moyen Orient La lithographie de couverture a

La lithographie de couverture a été rehaussée à la peinture et au crayon arlequin

Cuba is undoubtedly one of the three great cultural centers of Spanish-speaking America

The author illustrates his point with an exceptional selection of copies chosen from the finest public and private collections

Volume 1 and Volume 2

The exhibition also benefits from the talent of many renowned artists and experts

Bonnard et le Japon. Proche et Moyen Orient La lithographie de couverture aPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a